Thursday, October 22, 2009

Soft Rock Music

Soft rock (also referred to as mellow rock, light rock, or easy rock) is a style of music which uses the techniques of rock and roll (often combined with elements from folk rock and singer-songwriter pop) to compose a softer, more toned-down sound for listening. Soft rock songs generally tend to focus on themes like love, everyday life and relationships. The genre tends to make heavy use of acoustic guitars, pianos, synthesizers and sometimes saxophones. The electric guitars in soft rock are normally faint and high-pitched.

Soft rock emerged in the early 1970s, both as a reaction against the increasingly heavy music (heavy metal, punk rock) that was developing at the time, and also as a reflection of the changing priorities of the Baby Boom generation.[citation needed] What set 1970s soft rock apart from its 1960s counterpart, which is usually just called "pop", is that in the 1960s' pop artists usually were vocalists who were stylistic throwbacks to the pre-rock era.
Soft rock became hugely popular later in that decade. By 1977, some radio stations, like New York's WTFM and WYNY, had switched to an all-soft-rock format. Around that same time, the band Chicago, which had previously been a jazz-rock band, switched to soft rock and reached their biggest commercial successes. British/American blues band Fleetwood Mac achieved its greatest success after adopting parts of the genre. Even Led Zeppelin, considered by some to be standard bearers of hard rock, flirted with the genre at the time in songs like 1979's "All My Love". By the 1980s, tastes had changed and radio formats reflected this change; the genre evolved into what came to be known as "adult contemporary", a pop categorization that bore less overt rock influence than its forebearer.
Some soft rock artists are Elton John, Billy Joel, and Air Supply.

Monday, October 19, 2009

Rock Music

Rock music is a genre of popular music that entered the mainstream in the 1960s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues, country music and also drew on folk music, jazz and classical music.

The sound of rock often revolves around the guitar back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."[1]

In the late 1960s and early 1970s, rock music developed different subgenres. When it was blended with folk music it created folk rock, with blues to create blues-rock and with jazz, to create jazz-rock fusion. In the 1970s, rock incorporated influences from soul, funk, and Latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, glam rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included new wave, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal.

A group of musicians specializing in rock music is called a rock band or rock group. Many rock groups consist of an electric guitarist, lead singer, bass guitarist, and a drummer, forming a quartet. Some groups omit one or more of these roles or utilize a lead singer who plays an instrument while singing, sometimes forming a trio or duo; others include additional musicians such as one or two rhythm guitarists or a keyboardist. More rarely, groups also utilize stringed instruments such as violins or cellos, woodwind instruments such as saxophones, and brass instruments such as trumpets or trombones.

Nowadays, the term rock is often used as a blanket term to name various types of music, from pop music to soul music and beyond; it is usual when the term rock is applied to genres of music, that were once considered 'polar opposites' to rock music

General Types of Music

Music is food for the soul – a panacea for the mind. Music can help in improving memory. Kids can rattle off the entire alphabet range in song but are unable to remember the orders sans the tune. This happens because music functions are controlled in a different section of the brain than speech. Music continues to touch hearts the world over, irrespective of color and race.


Some of their types are given below:-
  • Rock Music
  • Hard Rock Music
  • Soft Rock Music
  • Soft Music
  • Alternative Music
  • Metal Music
  • Heavy Metal
  • Jazz Music
  • Pop Music
  • Hip-Hop Music
  • Blues Music
  • Dance Music
  • Country Music
  • .......& so on.......

How to read music?

Learning how to read music is like learning how to read and write. There are some basic rules to learning music. The basic format for a piece of music contains 5 lines and a treble clef. These are the fundamentals for anyone who wants to learn to read music. First you must learn to identify the type of clef that is present in the music piece. There are varieties of clef types, including the bass clef. You could usually think of the treble clef as the basic ‘right-hand’ on the piano, and the bass clef the ‘left-hand’. However, music notes are universal and therefore this rule cannot apply for every instrument and there are other clefs which have different rules. Don’t be put off by this, learning the notes on the treble clef and bass clef is enough to have you playing excellent sounding music.

The notes are read by their corresponding positions between or on the lines. For the treble clef, the notes on the line, listed in order from bottom to top are E, G, B, D, F. These can be remembered using a variety of quirky phrases, on such one being Every Good Boy Does Fine. The notes in between these lines correspond with the letters F, A, C, E and can obviously be remembered by the word FACE.

The bass clef is slightly different from the treble clef, since the notes on and in between the lines have different letters. The ones played on the lines include, from order of bottom to top, G, B, D, F, A. Phrases can also help in remembering this, but it’s best if you can memorise the notes or even make up one yourself, because this will enable you to memorize the notes faster. The notes in between the lines are A, C, E, G. By remembering the basic treble and bass clef notes, you will have established a foundation to reading music. Each letter has a note assigned to it on a particular instrument, and if they are the same then the sound made by any instrument will have the same sound. Therefore, if you learn to read music for one instrument, the entire process for learning another becomes much easier.

Is there more to reading music than just these two? Yes there is, there is so much to learn you cannot possibly hope to understand it all overnight. It all comes down to how far you want to take your reading ability. The best at reading music are able to read the notes just like a book, taking a quick look before actually playing the notes. Reading music is just like playing music – it is an art, and has to be mastered.

Benefits Of Learning Music

That's music to my ear is a common phrase used to express a person's emotional response to how a particular tune can make them feel. Some people listen to music all the time. Some study the art of playing an instrument. It's therapeutic; it's enriching; it's a way of creating moods in any environmental setting. If you are interested in music for more than the pure enjoyment people get out of listening to it, then learning about music theory is an ideal mode for you.

Music theory can be an important attribute in a person's life, for many reasons. People often ask, "Is music theory necessary?" "Why do we need it?"

First of all, even though you don't have to understand how to read sheet music to perform as a musician, you will need an understanding of music theory. It opens so many other doors for you in the world of music. Music theory will not show you how to understand music, but with music theory you will be able to communicate musical ideas, explore music in whole new ways, and redefine the tremendous scope that entails the magical world of music.

Music theory allows you to voice your opinion with others in the field, expand your musical horizon. Give a little input to a fellow musician and you'll get something in return.

Notations And Communicating With Other Musicians

Music lovers all develop a keen sense of awareness, musically speaking. Sometimes, musicians explain that if they study music theory, then it'll stunt their creativity. Wrong! The world's greatest composers were all masters of music theory: Mozart, Beethoven, Brahms, J.S. Bach. These experts composed a keen understanding of the theoretical concepts. Years were spent studying the concept, down to some of the smallest details.

Music can be played by ear, picking out tunes without the aid of written music. Your ears can be your guide. The reason this is brought to light is that some musicians with strong theoretical training often disregard the art of playing by ear.

Think of playing music by ear this way: We're all born as non-verbal creations. Communication begins with crying, making sounds, displaying body language. Parents quickly become experts on baby talk. It's an innate sense. Over time, language develops by mimicking sounds. Toddlers don't learn nouns and verbs; they learn to speak by example. Music can be the same way. Hence, the reason so many people pay top dollar for live performances. It's invigorating, magical.

Understanding Harmony And Chord Progression

Chord progression and harmony, two features of music theory, help broaden any musician, regardless of their genre of study. Chord progression is a series of chords that are used to harmonize music. All compositions use chord progression. Those that improvise - which, as already mentioned, adds charm and magic to the environment of music - invent brand new melodies that blend in with an existing chord. It's a musical transition, something that must be practiced, repeatedly. The great composers and musicians develop chord progressions and transitions until it becomes natural, a second-natured maneuver.

If a musician improvises in a more interconnected manner, these new melodies show the musician the progression as one whole unit, and not a series of bumpy transitions. The more practice that goes into this aspect of music learning theory, the more interesting substitutions they will develop along the way. Once the concept of chord progression and its structure is understood, it will be easier to remember. Jazz musicians, therefore, show a keen interest in the study and analysis of chord progression.

The study of music theory will show musicians and musical scholars that the objective, initially, is not to consider an entire composition in one sitting. Instead, musicians, students and teachers alike, view a chord progression in segments, or units. These units correspond to musical sections known as stanzas.

A stanza is the complete statement and development of a single musical idea. It's a fairly simple act of dividing pieces into small manageable sections, with the melody itself forming, or suggesting the boundaries for sound.

Tonality, another element of chord progression, means different things to different people. Some would consider it to be this: any piece of music with a well-defined key center. Others envision any music that uses the conventional chords as tonal.

Music without the use of chords in a functional manner to reinforce a tonal center is not tonal. It is referred to as non-tonal music. The names of these styles are not always agreed upon between musical connoisseurs. But expressing difference is one key element that makes music such a beautiful art form, with countless possibilities.

So, if you are considering studying music, be it to play an instrument, teach music, or simply hone in on personal curiosity, learning music theory is a must for you.

Music Teaching & Learning

Music nowadays seems to be one of the most popular hobbies that the youngsters are indulging in. For some, it may be just a pure form of entertainment or a way of living, whereas for the others, it can be a serious escape from their stressful lives. They use music as a medium of conveying their suppressed emotions. Not too surprisingly, it makes them really into music.

Because of the different influences that the youth are exposed into, they are easily acquiring the curiosity of engaging into learning music. It may not exactly be reading musical notes and the other formal stuff regarding such, but at least, something highly relevant to it like playing musical instruments or simply singing.

Before, people, specially the youth, viewed Music, a subject in their primary and secondary schooling, as a conservative and boring one. With lots of different bits and pieces that should be memorized and understood without knowing their use and purpose, music then had been a vague and dull form of school activity to do.

Perhaps, the reason is that they relate music with “church” where they usually hear the hymns and praises when they were kids. They thought music should be solemnly expressed all the time.

As these young people aged up, they began to realize how interesting music could be far from what they used to perceive. From all the different genres and styles, they found a match. I am truly glad to say that finally, they are now fascinated with music learning as well as music teaching.

Many are aware that music centers began to spring suddenly nowadays. People look for formal lessons and their aim is, of course, to learn music. They also want to develop the talents they believe they are blessed with.

Music teaching is definitely an issue when talking about learning music. Aside from being considered as something pretty difficult and tedious, many believe that it requires lots of effort, patience, and passion in doing so.

However, with the kinds of trends, technology and methods that we have right now, music teaching has become less complicated. Indeed, different resources and tools are made readily available to be an aid to anyone who has interests in music teaching. It may be through various means like seeking the help and guidance of music enthusiasts and experts, enrolling in various learning centers, reading music-related books, availing advanced music gadgets, or browsing the web.

Music teaching has been both the career and passion of many musically inclined individuals around the globe. Thus, schools of music spring forth worldwide, paving the way for music enthusiasts for greater opportunities globally. That is how powerful music and music teaching can be

Tuesday, October 6, 2009

Statistics

Nielsen SoundScan reported that the big four accounted for 81.87% of the US music market in 2005:[10]
Universal Music Group (USA/France based) — 31.71%
Sony Music Entertainment (Japan based) — 25.61%
Warner Music Group (USA based) — 15%
EMI Group (UK based) — 9.55%
independent labels — 18.13%
and in 2004, 82.64%:
Universal Music Group — 29.59%
Sony Music Entertainment — 28.46% (13.26% Sony, 15.20% BMG)
Warner Music Group — 14.68%
EMI Group — 9.91%
independent labels — 17.36%

Business Structure

The music industry is made up of various players, including individuals, companies, unions, not-for-profit associations, rights collectives, and other bodies. Professional musicians, including band leaders, rhythm section members, musical ensembles, vocalists, conductors, composers/arrangers, and sound engineers create sound recordings of music or perform live in venues ranging from small clubs to stadiums. Occasionally professional musicians negotiate their wages, contractual conditions, and other conditions of work through Musicians' Unions or other guilds. Composers and songwriters write the music and lyrics to songs and other musical works, which are sold in print form as sheet music or scores by music publishers. Composers and performers get part of their income from writers' copyright collectives and performance rights organisation such as the ASCAP and BMI (or MCPS and PRS respectively for the UK). These societies and collectives ensure that composers and performers are compensated when their works are used on the radio or TV or in films. When musicians and singers make a CD or DVD, the creative process is often coordinated by a record producer, whose role in the recording may range from suggesting songs and backing musicians to having a direct hands-on role in the studio, coaching singers, giving advice to session musicians on playing styles, and working with the senior sound engineer to shape the recorded sound through effects and mixing.
Some professional musicians, bands, and singers are signed with record labels, which are companies that finance the recording process in return for part or full share of the rights to the recording. Record label companies manage brands and trademarks in the course of marketing the recordings, and they can also oversee the production of videos for broadcast or retail sale. Labels may comprise a record group — one or more label companies, plus ancillary businesses such as manufacturers and distributors. A record group may be, in turn, part of a music group which includes music publishers. Publishers represent the rights in the compositions — the music as written, rather than as recorded — and are traditionally separate entities from the record label companies. The publisher of the composition for each recording may or may not be part of the record label's music group; many publishers are wholly independent and are owned by the artists themselves.

On 2000s


In the 21st century, consumers spent far less money on recorded music than they had in 1990s, in all formats. Total revenues for CDs, vinyl, cassettes and digital downloads in the U.S. dropped from a high of $14.6 billion in 1999 to $10.4 billion in 2008. The downward trend is expected to continue for the foreseeable future—Forrester Research predicts that by 2013, revenues will reach as low as $9.2 billion. This dramatic decline in revenue has caused large scale layoffs inside the industry, driven music retailers out of business (such as Tower Records) and forced record companies, record producers, studios, recording engineers and musicians to seek new business models.
In the early years of the decade, the record industry took aggressive action against illegal file sharing, successfully shutting down Napster in 2001 (the leading online source of digital music) and threatening thousands of individuals with legal action. This failed to slow the decline in revenue and was a public relations disaster. Some academic studies have even suggested that downloads were not the true cause of the decline. Legal digital downloads became widely available with the debut of the iTunes Store in 2003. The popularity of internet music distribution has increased and by 2007 more units were sold over the internet than in any other form. However, as the Economist reports, "paid digital downloads grew rapidly, but did not begin to make up for the loss of revenue from CDs."
The turmoil in the industry has changed the balance between artists, record companies, promoters, retail music stores and the consumer. The leading music retailers are now box stores (Wal-Mart and Best Buy) and music-only stores are no longer a player in the industry. Recording artists now rely on live performance and merchandise for the majority of their income, which in turn has made them more dependent on music promoters like Live Nation (which dominates tour promotion and owns a large number of music venues.) In order to benefit from all of an artist's income streams, record companies are increasingly relying on the "360 deal", a new business relationship pioneered by Robbie Williams and EMI in 2007. At the other extreme, record companies can offer a simple manufacturing and distribution deal, which gives a higher percentage to the artist, but does not cover the expense of marketing and promotion. Many newer artists no longer see any kind of "record deal" as an integral part of their business plan at all. Inexpensive recording hardware and software has made it possible to create high quality music in a bedroom and distribute it over the internet to a worldwide audience. Consumers now have access to a wider variety of music than ever before, at a price that is gradually approaching zero.

Monday, October 5, 2009

On 1700s and 1800s

Until the 1700s, the process of composition and printing of music was for the most part supported by patronage from aristocracies and churches. In the mid-to-late 1700s, performers and composers such as Wolfgang Amadeus Mozart began to seek commercial opportunities to market their music and performances to the general public. After Mozart's death, his wife (Constanze Weber) continued the process of commercialization of his music through an unprecedented series of memorial concerts, selling his manuscripts, and collaborating with her second husband, Georg Nissen, on a biography of Mozart.[4] In the 1800s, the music industry was dominated by sheet music publishers. In the United States, the music industry arose in tandem with the rise of blackface minstrelsy. The group of music publishers and songwriters which dominated popular music in the United States was known as Tin Pan Alley.

StatusAround 20th Century

In the late 19th century and early 20th century, the music industry was dominated by the publishers of sheet music. By mid-century records had supplanted sheet music as the largest player in the music business. Since 2000, sales of recorded music have dropped off substantially,[1] while live music has increased in importance.[2] There are four "major labels" that dominate recorded music — Universal Music Group, Sony Music Entertainment,[3] Warner Music Group and EMI — each of which consists of many smaller companies and labels serving different regions and markets. The live music industry is dominated by Live Nation, the largest promoter and music venue owner. Live Nation is a former subsidiary of Clear Channel Communications, which is the largest owner of radio stations in the United States. Other important music industry companies include Creative Artists Agency (a management and booking company) and Apple Inc. (which runs the world's largest music store, iTunes Store, and sells the iPod and iPhone).

Introduction

The music industry (or music business) sells compositions, recordings and performances of music. Among the many individuals and organizations that operate within the industry are the musicians who compose and perform the music; the companies and professionals who create and sell recorded music (e.g., music publishers, producers, studios, engineers, record labels, retail and online music stores, performance rights organisations); those that present live music performances (booking agents, promoters, music venues, road crew); professionals who assist musicians with their careers (talent managers, business managers, entertainment lawyers); those who broadcast music (satellite and broadcast radio); journalists; educators; musical instrument manufacturers; as well as many others.

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